MFC Hills Medieval was developed from a unique historical Blackletter type specimen in the 1882 Hills Manual of Social and Business Forms. While you could use its ornate capitals to construct a monogram, this is not a monogram font, but a fully functional typeface for invitations and period lettering. From stylish and ornate capitals to a soft lowercase resembling bled ink, this period lettering style is a true eye-catcher. Because of some of the unique medieval letterforms, standardized letterforms were created as the default typeable letters while the true historical forms were setup as Stylistic Alternates. A sophisticated Blackletter for manuscripts and invitations alike.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Bucanera Antiqued is the black ship of Bucanera’s family, sure you will use it in any dark or dirty project. Try the Open Type version to reach its numerous swashes, flourished and alternate characters.
OTF | 3 Fonts | JPEG Preview | 1.5 Mb RAR
Knud V. Engelhardt (1882–1931) was an architect, printer and designer from the country of our laid back neighbours, Denmark. Knud’s characteristic letter forms have already made a strong impression on some modern typefaces. Most notably is probably Skilt Gothic by a fellow Swedish compatriot, where Knuds way of trimming the diagonal stems is one of the spices used to give the typeface its character. Fighting against the desire to make something similar, this new typeface instead takes the concept to a whole new level by trimming not only diagonals, but all possible letters! The result is something – different. Trim comes in a large family including manually hinted webfonts and high quality desktop fonts. Some are fat, some are skinny and some are just lagom. This is the monospaced version of Trim.
TTF | 5 Fonts | JPEG Preview | 1 Mb RAR
The Sketchnote Typeface was born of necessity: veteran designer and illustrator Mike Rohde needed a series of hand-drawn fonts to produce his recent book, The Sketchnote Handbook (2012, Peachpit Press). Because of its origin, the typeface was designed to be practical, to convey the human character and quirks of Rohde’s normal handwriting and unique hand-drawn lettering with the benefits inherent in digital fonts. Sketchnote Square is a bold, somewhat compressed headline type that complements the Sketchnote Text fonts. Drawn instead of written, the characters in Square have neat little happenstance voids within the strokes. Square also includes a handy selection of fun icons, rules, and arrows—some functional tidbits for your design projects. They are accessible via the OpenType feature “Ornaments” or “Stylistic Set 2” For added convenience, those same fun icons, rules, and arrows are also available as a standalone font, Sketchnote Dingbats, which comes packaged with Square and the full family package. The texture of Sketchnote is the result of actual ink-spread on paper, captured in scans of the written letterforms and left intact during production to preserve that feeling. Under the hood, the texture was carefully edited by hand, eliminating outline errors and keeping the point count low for optimal performance. These fonts are crafted to the highest industry standards. Sketchnote Square is best used at larger sizes for headlines, titles, packaging, etc. Sketchnote is great for a variety of projects where a handcrafted aesthetic and ease-of-use are desired.
OTF | 5 Fonts | JPEG Preview | 1.9 Mb RAR
Inspired by lettering styles of the 1930s, Seagrass BF is jazzy and jumping as a Lindy Hop. As such it captures I believe, something of the spirit of that age, yet somehow retains a fresh, contemporary feel. Headlines, logos, packaging, signage and branding are just a few of many usages. Seagrass BF contains Stylistic Alternates and Stylistic Sets for uppercase letters Y and Z, as well as ampersand (&). Other OpenType features include Standard Ligatures and Contextual Alternates. These features should at all times be employed to optimize the appeal of your word settings. So whenever your visual communication demands an energetic, vibrant voice please consider Seagrass BF.
OTF | 1 Font | JPEG Preview | 1.7 Mb RAR
Rolka is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.
OTF | 2 Fonts | JPEG Preview | 1 Mb RAR
Ahra from Magpie Paper Works is an upright, hand-lettered script full of fun calligraphy. This Opentype font was created with a pointed pen & ink, and features a host of special features. Within Ahra are three sets of capital letters, ranging from simple to quirky to traditional, as well as single-word characters for common titles (Mr., Miss, Dr., etc.) prepositions (to, the, for, etc.) and envelope addressing (blvd., st., etc.). You'll also find simple & automatic end-of-word swashes, old-style numerals and special double-letter ligatures for a true hand-drawn look. Ahra Hand features decorative word art, all lovingly drawn in a swirling traditional calligraphy style. There are 88 unique greetings, prompts, and phrases, plus an ornate set of numerals 0-9. Ahra Swash includes over fifty unique hand-inked flourishes, borders, corners, swashes and curls. Mix and match for a truly custom look! All were designed to coordniate with the Ahra alphabet, but can be used to enhance other faux-calligraphy fonts.
TTF | 3 Fonts | JPEG Preview | 10.6 Mb RAR
A successful collaboration between MRF and Psy/Ops Type Foundry. In search for a Sans Serif with a significant and strong character but still ”low-key” enough to be functional for most areas, Sophisto finally grew into an extensive family of 21 parts. Made carefully to fit both text- and display solutions. The buttons, images and patterns makes it even more complete as a family.
OTF | 34 Fonts | JPEG Preview | 3.7 Mb RAR
Ten years or so after his unique treatment of Garalde design with Trump Mediaeval, Georg Trump took on the transitional genre with Mauritius, which was to be his last typeface. He started working on it in 1965. The Stuttgart-based Weber foundry published a pamphlet previewing it under the name Barock-Antiqua in 1967, then announced the availability of the metal types (a roman, a bold and an italic) a year later. The global printing industry was already in third gear with cold type technology, so there weren't that many takers, and Weber closed its doors after more than 140 years in business. Subsequently, Trump’s swan song was unfairly overlooked by typography historians and practitioners. It never made it to film technology or scalable fonts. Thus, one of the most original text faces ever made, done by one of the most influential German type designers of the 20th century, was buried under decades of multiple technology shifts and fading records. The metal cuts of Mauritius seem to have been rushed in Weber’s desperation to stay afloat. So the only impressions left of the metal type, the sole records remaining of this design, show substantial problems. Some can be attributed to technological limitations, but some issues in colour, precision and fitting are also quite apparent, particularly in Mauritius Kursiv, the italic metal cut.
OTF | 9 Fonts | JPEG Preview | 4.6 Mb RAR
The font Marcel is named in honor of Marcel Heuzé, a Frenchman who was conscripted into labor during World War II. During the months Marcel was in Germany, he wrote letters to his beloved wife and daughters back home in rural France. Marcel’s letters contain rare first-person testimony of day-to-day survival within a labor camp, along with the most beautiful expressions of love imaginable. The letters — stained and scarred with censor marks — were the original source documents used by designer Carolyn Porter to create a script font that retains the expressive character of Marcel Heuzé’s original handwriting. The result of years of research and design work, Marcel Script features more than 1300 glyphs. The font is a highly readable running script that includes textural details that capture the look of ink on paper. The font Marcel Caps is a hand-lettered titling face intended as a companion to the Script. Marcel EuroPost One and Two each feature more than 200 postmarks, cancellation and censor marks, and other embellishments found on historical letters and documents.
OTF | 6 Fonts | JPEG Preview | 8.4 Mb RAR
Following the huge success of Legendary, Manuel Corradine proudly introduces his new ornamented script font. He remarks: “Designing Plebeya was a very tough and exhausting process, but learning to use it correctly and harnessing its whole potential is equally a job demanding great skill and dedication”. Plebeya is a font with an elegant and decorative style. Its calligraphic strokes are full of minute imperfections evoking real hand writing and provide it with a rustic and natural touch. Because of this we advise to preferably use it in the smaller sizes and only in larger ones when consciously you want to highlight its rustic characteristics. Plebeya is ideal for logos and short texts design, but can also be very useful in a wide variety of applications like wedding invitations, magazines, restaurant menus, advertisement and in any project requiring a touch of elegance and exclusivity. Its wide set of alternative ornated characters make Plebeya Pro an excellent tool for both the professional designer as well as any enthusiast wishing to elaborate a project with unique style.
OTF | 4 Fonts | JPEG Preview | 3.5 Mb RAR
Addison is a typeface that brings together modern western styles with a rustic texture. Between Addison West, with thick block serifs, and Circus, a more decorative face, the two would bring an authentic and unique style to any artwork. The bold faces make a stand and standout for any design concept.
TTF | 2 Fonts | JPEG Preview | 6.2 Mb RAR
Hadron is a display typeface which reflects the prevailing trends in contemporary typography. It features two variants: a standard set which is a clean and clear sans serif and an alternative alphabet which emphasises 'pictographic' letterforms. There are built in OpenType features which give you access to a wide range of extra glyphs. Influenced by a wide range of contemporary display typefaces and of course the classic geometric sans serifs such as Futura and Avant Garde. Like Futura it emphasises classical proportions putting particular emphasis on the elemental shapes which make up each glyph; the square, the triangle and the circle. Hadron is a vibrant, contemporary display typeface perfect for a wide range of display purposes.
OTF | 1 Font | JPEG Preview | 3.9 Mb RAR
Ministry Script was designed to be “A time capsule that marks both the American ad art of the 1920s, and the current new-millennium acrobatics of digital type.” First letters of Ministry comes from a how-to lettering book but immediately turned on a complex and modern new digital typeface design with thousand glyphs. Ministry’s OpenType features include contextual and stylistic alternates, swash characters, and a galaxy of ligatures. A single face with over 1,000 characters to explore. The OpenType palette provides access to four different variants of each letter.
OTF + TTF | 1 Font | JPEG Preview | 6.3 Mb RAR
Orgon Slab complements the Orgon family with its clear, unexcited appearance. It offers high readability both for desktop and web applications. The Orgon Slab consists, as does the Orgon family, of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, small caps, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.
OTF | 16 Fonts | JPEG Preview | 5.6 Mb RAR